If you're finding KaraokeFanboy Press through the Poetry Superhighway, welcome to my corner of the Internet. I've been self-publishing my own comics and poetry in Phoenix since 2010, and this has been an exciting year for me.
In May, I ran a successful Kickstarter to self-publish my mini-comic book, Amazing Arizona Comics, monthly, and since then I've had several opportunities to share my work with the public: at Ignite Phoenix 17, on my local NBC news, and most recently on NPR's local program The Show. With so much emphasis on my comics work, I thought my inclinations toward poetry might suffer, so I've made a proactive effort to keep writing, as much as I've been drawing.
This chapbook is one of the results. This Is What You Need To Live is a small collection of this year's writings, with another to follow toward the end of the year. My writing has taken an economic turn lately; my poems have become rather brief, in comparison to work from the past. So, I like the idea of my chapbook format adapting accordingly, measured at a mere 4.25" x 5.5". Yes, it's half of a sheet of paper, folded along the portrait orientation, creating a backpocket-sized digest you can take on the bus and probably read in the single ride. I hope its impression creates an urgency, that this must be read now, in its entirety . . . less of a whole record album, and more of an EP, really.
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Sunday, August 23, 2015
Tuesday, June 30, 2015
KaraokeFanboy Podcast & Amazing Arizona Comics Summer Sale!
In the latest episode of the KaraokeFanboy Podcast, I talk to my bro-ducer (that's brother + producer) Kyle about the 24 Hour Comic Challenge I completed on June 20-21, and to local poet Shawnte Orion about the poetry scene in Phoenix and beyond. We are Phoenix culture!
While you're here, I'm running a sale on all issues of Amazing Arizona Comics this month. Get the whole kitten kaboodle for just $20, which includes the latest issues included in my May/December Initiative, to self-publish monthly for the rest of the year. Just click the Paypal button below, and, remember, shipping is included!
Saturday, May 23, 2015
KaraokeFanboy Podcast Episode 9 & More!
Dig the next episode of the KaraokeFanboy Podcast, concluding my conversations with poet Gary Bowers, and comedian Rick Larsen. These guys are foundational to the arts in Phoenix, and they'll inspire you where ever you live.
While you're enjoying a little media, dig the first Amazing Arizona Comics vlog. I'll be posting these regularly as a thanks to my Kickstarter supporters, and to promote upcoming projects and events.
Sunday, May 17, 2015
KaraokeFanboy Podcast Episode 8
My friend/local poet/graphic artist Gary Bowers recently asked me,
"Are there any new superpowers? A power that hasn't been done?"
He and I talked about that, and more in the first part of this latest episode of the KaraokeFanboy Podcast. Then, I chat with Rick Larsen, performer and self-publisher of a local fanzine . . .
a fanzine dedicated to the TV show Matlock.
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| Cover by awesome Arizona comic artist Brad Dwyer. |
The next episode will drop soon and feature the second half of these conversations, with talk of poetry and improv in Phoenix. If you're looking for the arts scene in Arizona, you've found it here!
Thursday, March 5, 2015
KaraokeFanboy Podcast, Episode 5
In the latest episode of the KaraokeFanboy Podcast, I wrap up the interview I shared with Kevin Eastman, conclude the conversation I had with the organizers of the monthly Simpsons Trivia Night here in Phoenix, and share a few poems from my Words in the Alley February feature. Enjoy!
Saturday, May 28, 2011
Hello, Phoenix Comic Con!
If you're visiting KaraokeFanboy Press because you picked up a card or stopped by my booth at Phoenix Comic Con . . . Welcome! With a googleplex of websites to choose from, I appreciate you taking a minute to visit my corner of the blogosphere. Don't worry: the pornography and videos of cats playing piano will still be there when we're done!
KaraokeFanboy Press is the one-man small press effort behind Amazing Arizona Comics, a mini-comic book series about real current events in an imaginary superhero context. For the last two years, Arizona has made more than its fair share of national headlines, from controversies about speed cameras and gun laws, to SB1070 and Steven Seagal in a tank (Google it), to larger-than-life public figures like Governor Brewer to Sheriff Arpaio. Amazing Arizona Comics tackles all these issues and more, through the filter of all-out superhero action and adventure! It makes the news fun!
I'm also an active local poet that publishes my own zines and hosts a local open mic in downtown Phoenix every Wednesday, if you're interested in that kind of stuff, too. And, yes, I like karaoke, too. My favorite venues in Phoenix are Plazma, Hazelwood's, and the Mobile Karaoke Unit, if you can find it on Roosevelt Row during First Fridays.
You can find my work at Evermore Nevermore in Mesa, Samurai Comics in Phoenix, Jesse James Comics and Drawn to Comics in Glendale, and where ever else folks let me set up a table to draw and sell my wares. Please drop a comment or an email, or friend me on Facebook, if you'd like to buy a comic, commission a drawing, or find out more about local comics and poetry events. I like being a part of the creative community in Phoenix, so I'd be a hypocrite not to make every effort to help others get here, too.
Stay grand, Canyon!
KaraokeFanboy Press is the one-man small press effort behind Amazing Arizona Comics, a mini-comic book series about real current events in an imaginary superhero context. For the last two years, Arizona has made more than its fair share of national headlines, from controversies about speed cameras and gun laws, to SB1070 and Steven Seagal in a tank (Google it), to larger-than-life public figures like Governor Brewer to Sheriff Arpaio. Amazing Arizona Comics tackles all these issues and more, through the filter of all-out superhero action and adventure! It makes the news fun!
I'm also an active local poet that publishes my own zines and hosts a local open mic in downtown Phoenix every Wednesday, if you're interested in that kind of stuff, too. And, yes, I like karaoke, too. My favorite venues in Phoenix are Plazma, Hazelwood's, and the Mobile Karaoke Unit, if you can find it on Roosevelt Row during First Fridays.
You can find my work at Evermore Nevermore in Mesa, Samurai Comics in Phoenix, Jesse James Comics and Drawn to Comics in Glendale, and where ever else folks let me set up a table to draw and sell my wares. Please drop a comment or an email, or friend me on Facebook, if you'd like to buy a comic, commission a drawing, or find out more about local comics and poetry events. I like being a part of the creative community in Phoenix, so I'd be a hypocrite not to make every effort to help others get here, too.
Stay grand, Canyon!
Labels:
Amazing Arizona Comics,
appearances,
Phoenix Comicon,
poetry
Saturday, January 29, 2011
The "Some Dude's Birthday Party" Tour
Hot on the heels of my victories at the Tucson* and Sedona poetry slams, I came in 10th out of 12th at the first ever Tombstone Poetry Slam last Friday. Tombstone is the only local National Poetry Slam qualifying event, and the top ten highest point earners make the slam off to try out for the team, so I'm still in the running, albeit by a narrow margin. While my "Man Church" piece has been pretty well received (and sometimes requested) at other readings, apparently it falls short in a competitive slam setting.
After the slam, some of my fellow local poets and I performed at a birthday party. Yes, a few weeks ago, after the Pink Slip Poetry Slam at Phoenix's Jobot, I was asked if I would perform at a birthday party. I suspiciously agreed, but, in the end, the party's host was one of the most open-minded, supportive people I've ever met regarding local poetry. He just heard something he liked and decided to share it with his friends. So, while "Man Church" ran a few of the more conservative party attendees out, the group seemed generally receptive. Considering the host could've hired strippers, or belly dancers, or a clown, what more could I have asked for?
After the slam, some of my fellow local poets and I performed at a birthday party. Yes, a few weeks ago, after the Pink Slip Poetry Slam at Phoenix's Jobot, I was asked if I would perform at a birthday party. I suspiciously agreed, but, in the end, the party's host was one of the most open-minded, supportive people I've ever met regarding local poetry. He just heard something he liked and decided to share it with his friends. So, while "Man Church" ran a few of the more conservative party attendees out, the group seemed generally receptive. Considering the host could've hired strippers, or belly dancers, or a clown, what more could I have asked for?
Sunday, January 23, 2011
Tucson Poetry Slam FTW!
I traveled to Tucson last night with three of my favorite local poets, and I won the monthly Ocotillo Poetry Slam. The victory comes with an asterisk, but the experience taught me about the value of knowing your audience. One of the younger attendees dubbed me the Langston Hughes of his generation. I'm going to assume he doesn't really know what he's talking about; I insist instead that I'm honored to be among so many encouraging poets and performers in Phoenix.
Starting this coming Friday, I'll be competing in the monthly Tombstone Poetry Slam at Fair Trade Cafe in downtown Phoenix. We need folks to fill seats, because, among other reasons, we poets actually like sharing our work with others, as opposed to just hearing ourselves talk. The cover is $5, which will support our TBD traveling National Poetry Slam team. Tombstone will commence the last Friday of the month for the better part of 2011, despite its name, keeping competitive slam alive in the Valley.
Starting this coming Friday, I'll be competing in the monthly Tombstone Poetry Slam at Fair Trade Cafe in downtown Phoenix. We need folks to fill seats, because, among other reasons, we poets actually like sharing our work with others, as opposed to just hearing ourselves talk. The cover is $5, which will support our TBD traveling National Poetry Slam team. Tombstone will commence the last Friday of the month for the better part of 2011, despite its name, keeping competitive slam alive in the Valley.
Sunday, December 26, 2010
Conspire's Russmas Extravaganza on Ustream
Recorded video from Conspire's Russmas Extravaganza featuring Bruce & the Gamblers can be found here. We lost our Internet connection for a bit, hence the two clips -- just consider it a double dose of holiday goodness!
Labels:
appearances,
KaraokeFanboy Productions,
poetry
Sunday, December 12, 2010
The Sedona Poetry Slam
Check out Fox the Poet's post about my nail-biting win at the Sedona Poetry Slam last night. My set list was "Opt Out: A TSA Love Story," "Dear Lady Gaga's Meat Dress," and "The Case for Dry Humping," with "Where the Luck Goes" as an unexpected victory poem. I'll say it a few more times -- any success I experience in slam is a result of the local poetry community's hospitality and support this year. I'm grateful to have made so many talented friends, and if they're as entertained by my stuff as I am by theirs, we're all winners.
Wednesday, October 13, 2010
My First Chapbook

Making a chapbook is hard!
You'd think collecting one's own poetry would be an easy task, since the content is already written, and the format demands very little layout knowledge and skill. Chapbooks aren't like comic books, which consist of intricate layers of illustration, lettering, and coloring or shading to create a harmonious progression of images, which become pages, which become a story. So, I'm proud to have self-published a few worthy issues now (including my latest, Amazing Arizona Comics), despite my ignorance of programs like Adobe Illustrator that make the process easier. I've been able to do a lot with a little.
So, since a chapbook isn't a lot -- no panels of illustration, no linear story (seemingly), no need for layered lettering and shading -- why do I think it's so hard? Simple -- it's the naked word on the barren page. With the comics, if you don't like my drawings, maybe you'll like my story . . . or maybe you'll just appreciate that I took the time to put something that relatively complicated together in the first place. With the chapbook, it's just poems. Sure, I've agonized over every word, I've tried to establish some musicality in some of them, I've tried to ignite a memory or evoke a mood, all of which aren't simple tasks. The aftermath, though, is just poems. If you don't like them, they're easily discarded. If you don't like one, who know if you'll give the rest a chance?
Like my comics, I am confident that my best poetry is yet to come. For Whom the Recess Bell Tolls is a personal, thematic piece of writing that I'm grateful to share, but I have more coming that will take things to the next level. This is just the ground floor, and I hope you'll join me. It's the foundation . . . so it has to be firm.
It has to be hard.
Labels:
chapbooks,
For Whom the Recell Bell Tolls,
poetry
Thursday, June 17, 2010
Recess at Work Day
Blogger's Note: Today, June 17, is "Recess at Work Day." Designed to promote teamwork through anti-workplace exercise, I've written this poetic narrative to examine its primal subtext. "Recess" may mean "a suspension of business or procedure often for rest or relaxation," but it also means "a hidden, secret, secluded place." Combine the definitions, and this is the result.
Recess at Work Day
Historians still debate who first thought to solve the "too much loose paper" problem with a small piece of coiled metal. The title volleys between a British manufacturing company and an unassuming Norwegian lad, but since new evidence for either side hasn't surfaced in years, the origin of the paperclip has become a stationary argument.
Equally difficult to determine is when and where a clock-watching, paper-pushing desk jockey first looked at this little metal coil as just one link in a long chain binding him to a job he never wanted, in a system that demands cohesion. Historians speculate that when this man, in a homicidal bid to kill some time, unfurled this paperclip, he triggered a metaphysical unraveling of the Industrial Age itself, an era based squarely on twisted things.
Perhaps this transcendental devolution is why the man resorted to base survival instinct, as he used the raw materials at his disposal to create crude tools, like tying a rubber band to his newly straightened metal wire as a bow, and foraging Q-tips from the mouthwash samples in his vanity drawer as little arrows. Dosing a swab with hand sanitizer, the man struck his computer mouse against his tape dispenser until they sparked, igniting the Q-tip before he fired it into the air -- a signal flare, a beacon to see if he's not alone.
Like dim-eyed cavemen drawn to the first flame, cubiclemen slowly emerged from their dark folds of earth. Inspired by their coworker's innovation, they embraced their varied, primal roots, some as Olympians with discuses made of post-it notes, others as cowboys with stapler six shooters. Partitions were dismantled and reduced to their base elements. With old coffee grounds like wet sand, and coffeepot filters like plastic beach buckets, castles were molded and erected in effigy of Monday morning meetings -- a kingdom without peasants, without jesters, without agendas or scepters. Tribal dances brought hailstorms of little white dots from dark, pregnant clouds of three-hole punches. The drought was ended.
Before long, the tribe headed West, spreading like an interoffice memo, recruiting the payroll clan, the band of flesh-eaters in Accounts Payable, even the mythical molemen of the mailroom. They faced resistance from the bourgeoisie of the I.T. department. By then, they weren't even speaking the same language anymore. Before the firewalls were doused with leftovers from the break room refrigerator, somebody sent an e-prayer to the gods, but they were taking an early lunch.
The last known recording of cubicleman's plight infers the construction of a tower -- a Jacob's corporate ladder. They stacked copy machines upon one another, at an incline, then, shedding their suits like a snake's skin, they slid bare naked down the glass leaving a wake of flashing lights and collated rear portraits, like the birth of stars around a moon. Truly this is the only documented proof of cubicleman's devolution -- the evidence that for at least one precious day everybody unapologetically made asses of themselves.
Before long, natural selection prevailed and life resumed on course. These precious records were lost. Nobody could find a way to clip them all together.
Recess at Work Day
Historians still debate who first thought to solve the "too much loose paper" problem with a small piece of coiled metal. The title volleys between a British manufacturing company and an unassuming Norwegian lad, but since new evidence for either side hasn't surfaced in years, the origin of the paperclip has become a stationary argument.
Equally difficult to determine is when and where a clock-watching, paper-pushing desk jockey first looked at this little metal coil as just one link in a long chain binding him to a job he never wanted, in a system that demands cohesion. Historians speculate that when this man, in a homicidal bid to kill some time, unfurled this paperclip, he triggered a metaphysical unraveling of the Industrial Age itself, an era based squarely on twisted things.
Perhaps this transcendental devolution is why the man resorted to base survival instinct, as he used the raw materials at his disposal to create crude tools, like tying a rubber band to his newly straightened metal wire as a bow, and foraging Q-tips from the mouthwash samples in his vanity drawer as little arrows. Dosing a swab with hand sanitizer, the man struck his computer mouse against his tape dispenser until they sparked, igniting the Q-tip before he fired it into the air -- a signal flare, a beacon to see if he's not alone.
Like dim-eyed cavemen drawn to the first flame, cubiclemen slowly emerged from their dark folds of earth. Inspired by their coworker's innovation, they embraced their varied, primal roots, some as Olympians with discuses made of post-it notes, others as cowboys with stapler six shooters. Partitions were dismantled and reduced to their base elements. With old coffee grounds like wet sand, and coffeepot filters like plastic beach buckets, castles were molded and erected in effigy of Monday morning meetings -- a kingdom without peasants, without jesters, without agendas or scepters. Tribal dances brought hailstorms of little white dots from dark, pregnant clouds of three-hole punches. The drought was ended.
Before long, the tribe headed West, spreading like an interoffice memo, recruiting the payroll clan, the band of flesh-eaters in Accounts Payable, even the mythical molemen of the mailroom. They faced resistance from the bourgeoisie of the I.T. department. By then, they weren't even speaking the same language anymore. Before the firewalls were doused with leftovers from the break room refrigerator, somebody sent an e-prayer to the gods, but they were taking an early lunch.
The last known recording of cubicleman's plight infers the construction of a tower -- a Jacob's corporate ladder. They stacked copy machines upon one another, at an incline, then, shedding their suits like a snake's skin, they slid bare naked down the glass leaving a wake of flashing lights and collated rear portraits, like the birth of stars around a moon. Truly this is the only documented proof of cubicleman's devolution -- the evidence that for at least one precious day everybody unapologetically made asses of themselves.
Before long, natural selection prevailed and life resumed on course. These precious records were lost. Nobody could find a way to clip them all together.
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